WRITEWORLD NOTE: This program seems like a lot of fun, but I stand by the apparently somewhat whimsical notion that writers should do their own editing. Still, quite a cool gadget. Definitely worth a look!


thewritershelpers:

Before you ask beta readers to look over your stuff, you might want to think of these things.

—Every time you change the tense that you’re conjugating the action of the story in, an author decides not to ship your OTP.

—Commas are nice. It’s not nice to feel like you want to give a speeding ticket to a writer because their sentences just run on and on with the “flow like a jungle river”.

—Giving two characters the same first letter of their names (and especially if their nicknames end with the same sound) actually curses your future children to reading only bad fanfiction when they grow up. Every book they touch will turn into My Immortal.

-Reading over your piece before you ask other people to is kind of just good manners. (If only Stephanie Meyer had thought of that.)

—Put in dashes when you slap two words together, or make an adjective out of them.

—Emdashes are great too!

—Spell out numbers in works of fiction. Science stuff, on the other hand, uses the Arabic numerals.

YOLO. It’s better to ask someone to beta something you write than to not have the guts to do so.

—If your puns are as bad as mine, I will cry tears of blood and shame.


bookgeekconfessions:

It’s been weeks since NaNoWriMo and I think it’s time that we get to work on draft 2 of our manuscripts. Here are seven methods from seven different writers (myself included). A lot of the advice is the same, but you may find something new or the advice may be written in a way that is easier for you to understand. So, here are seven different methods for revising your manuscript!

Method 1: Naomi
Tips from: Confessions of an Opinionated Book Geek

1. Read your story.
Print it out. Read.  Just read it and reacquaint yourself with your story.

2. Plot out your entire story.  
This is where you figure out whether or not your story makes sense.
I plot out my story by categories:

A. Main Storyline- Where is your character at the start, the middle and the end.
B. Subplots- What else is going on?
C. Dramatic Structure- Once your entire story is plotted out, figure out your climax, resolution, conflict, rising action, call to action, etc.

3. Reread Your Story.
That’s right. If you have any illusions that once you write your story you never have to read it again…wrong. You will be reading and rereading until you can recite every line and things that were serious become inside jokes to yourself.

This read is different from that first read to reacquaint yourself. This read is for analysis.  You should have a pen and perhaps even a book for notes. As you are reading cross out things that doesn’t make sense. Ask your self questions about character motivations and whether or not it’s possible for someone to actually jump from the sixth floor and land without injuries.

How many times does this character appear? Are they needed if it’s only once? Why does your main character speak exactly like your villain?

4. A loose outline.

After I have read my story twice, I usually have an idea of what’s wrong. This outline is where I try and figure out how to make it right. I often just write bullet points of scenes and what the purpose of the scenes are.

5. Write.
Now it’s time to write again. I often like to have my original manuscript printed out, or on my nook HD tablet,  or my back up laptop. So that the computer I use to write on is just a full screen of my new draft.

I like to do research on other screens as well.

TIP: Never edit your original document. You never know when you want to bring back that erased scene. I usually duplicate my original file, name it draft 2 and edit on that new document entirely. No reason to lose what you have already written.

Method 2: Jamie Scott Bell
Tips from Writer’s Digest

Method 3: Fiction Writer’s Connection
Tips from FictionWriters.com

Method #4: Wise Ink
Tips from their blog Wiseinkblog.com

Method #5: Maxine Thompson
Tips from her blog Maxinethompsonbooks.com

Method #6: Emma Darwin
Tips from emmadarwin.typepad.com

Method #7: UNC College
Tips from The Writing Center

Method #8: Ali Hale
Tips from Daily Writing Tips


Source: bookgeekconfessions

amandaonwriting:

25 Editing Tips

amandaonwriting:

25 Editing Tips


Source: amandaonwriting


Anonymous asked: This is an incredibly imperative question. I finished my first draft some months ago and I am starting back on my second draft. I have been trying for weeks, but I can’t bring myself to write all of the way, but I feel like it would be best to write important scenes in as my second draft, and on the final draft, use those scenes, re-write them, and thread them together with filler. Would that be okay or would it be best to write all of the way through?

You could try writing the major plot points first and then connecting them later. If it doesn’t work, then you could try writing straight through chronologically. I think both methods are valid.

What I disagree with here is the word filler. KeyboardSmashWriters has a great article on this word. I think you should read it. Basically, if any part of your story is filler, get rid of it. If you think it’s boring to write, your audience will likely think it’s boring to read.

You might also find these articles useful:

Thank you for your question! If you have any comments on this post or other questions about writing, you can message us here

-C


(read Part 1)

by This Crazy Industry (June 28, 2011)

A new commenter, Sym, in a comment to my long-ago post on How to Become an Editor, posed the following excellent question:

I’m also aware that editing is so much more than just taking care of sentence flow and typos at that level, but includes the need for an ability to look at the storyline itself and decide where it’s too drawn out, where it needs to be beefed up, which characters might need to be brought forward or pushed back more- all of which is most definitely my weak point. Plotting is my archnemesis, so to speak. And there are other skills, too, bits and pieces that maybe I’m not even aware existed. So I suppose my question is more- what’s the best way to learn these skills? Is it something that can be taught, and I just don’t know what class name they’re lurking behind? Or is it something that I ultimately will or won’t be able to do, simply because my brain doesn’t work properly?

Here’s the thing: it’s rare for one editor to do all that. Sym is absolutely correct that a good grasp of the mechanics of language at the sentence level does not always translate to an ability to grasp the mechanics and techniques that make a compelling story. This is why most publishing houses separate these functions.

Read More


Source: crazyindustry.blogspot.com

by This Crazy Industry (March 26, 2005)

Because it comes up frequently in my various editorial forums, I’ve decided to put all the tips I have for breaking into the editorial profession in one place.

Disclaimer: Because there’s no single definable path to professional editorship, it’s entirely possible that none of these observations or tips apply to your situation. I’m writing from my experience. Please feel free to add your own in the comments.

I asked the same question, back when I was trying to figure out what to do with myself. I was sitting having a coffee with a friend who was a freelance editor, and asked her “So, if I were to want to become an editor, how would I go about it?”

She replied “Well, there’s no real way to become an editor. You do some editing, and eventually you hang out your shingle and say ‘I’m an editor!’ and people give you work.”

I didn’t find this at all reassuring. I wanted a clear path—something like “get a junior job at a publisher, and start off proofreading, or counting words, or something, and you’ll get to watch Real Editors at Work, and learn.” I still think it would be nice if it worked that way. I’m told in some cases it does. But for every editor I meet who found an entry-level job at a publisher, and followed a clear path, I meet at least a dozen others whose paths, like my friend’s, and like my own, weren’t that direct.

As I went about becoming an editor, I learned the truth behind what sounded like truly Belgian waffling to me when my friend said it: There’s no way a person becomes an editor. One simply decides that one is, and sets about doing it.

Read More


Source: crazyindustry.blogspot.com

fuckyourwritinghabits:

bookgeekconfessions:

image

Everyone knows about the terror of the blank page that you’ve just written Chapter One at the top of. Some writers spend weeks approaching it, dabbing a couple of words on, and deleting them. Others research for a decade in order to avoid getting to the blank page moment at all. And one of the chief reasons that the crazy/shitty first draft principle works for so many people is that suddenly the cost of failure isn’t so high: this was only a crazy first draft, after all. Anything goes to get words on the page; we’ll turn them into the right words later.

But what if you’re fine with starting, and with finishing that draft, but are terrified of revising? Some feel uneasily that their punctuation/grammar/spelling aren’t up to scratch, but that’s relatively easy to learn - and you may not be nearly as bad as you think. Others just don’t know where to start eating this elephant: some suggestions here. But what if what worries you is revising the bigger and more intangible things? What if you’re terrified you won’t know if you’re making it worse, not better? For some, that fear can be paralysing. First, here are some thoughts about how to keep in touch with the shore as you launch out into the unknown.

  • Do it on a new copy of the file (but you know that one).
  • Don’t fiddle: know what you’re doing to your book today, and stick to it.
  • Go through, on hard-copy (or screen with comment balloons), just reading, and making notes about what needs changes, not actually stopping to do them. That way you can read fast, more like a reader, and hold on to a sense of the bigger picture. You’re less likely to lose sight of the baby while scooping out the bathwater, or change something because you’ve forgotten it’s like that because in Chapter 17… Then put it all into practice on the new copy .
  • Use Track Changes, so you can review everything before you commit to it. It depends what program you’ve got, but I set it to have deleted stuff in balloons, not inline, and new stuff in something reasonably unobtrusive like dark green. Then I can read the new version reasonably fluently and naturally, but still tell the difference between new stuff and old stuff. And if you’re using Scrivener (my new writerly Best Friend) or MSWord, you can search by text colour if you want to find only the new things.
  • If it’s all a disaster, you can always just go back to the original version. If you might want to preserve a few bits of the new stuff (or track changes reminds you too painfully of the day job) you could just do everything on the new copy without track changes, merge the two documents, and pick your way through accepting and rejecting each difference

Read More

This is brilliant!


Source: emmadarwin.typepad.com

somedamngoodpancakes asked: Hi! I know you don’t normally answer fan mail, but I need to know if you have any lists of powerful words like Elysium, Guardian, ect. and if you had any place to direct me to a cheap editor on tumblr? Thanks!

As far as I know, we don’t have a list of powerful words anywhere. I’m not even really sure how to go about looking for/compiling something like that. Maybe these links will help:

As for cheap editors, I know of betas. Check out Finding a Beta Reader for more on that. Does anyone else want to chime in on the betas/cheap editors question?