amandaonwriting:

So often setting is overlooked by writers, when in fact it’s a wonderful colour to add to your storytelling palette. 

Environment shapes character, informs plot and adds mood to your story. From the moral and religious background of your characters, to changing morals and weather, all of these form a crucible to forge out your narrative.

Here are three ways to use setting in your novel.


referenceforwriters:


S E T T I N G (Image source)

The setting consists of these elements, which you ought to describe through the course of the story. It is up to you, however, to decide how necessary it is to do so and why.
Which element is more important right now? Why? The most common answer is because it plays an impact on the story, so you should give it a higher priority in that particular moment. Overall we should get a feeling however brief of each or most of them.
Why are settings important at all? Because the story is happening somewhere. Even if it’s happening in a void or in the middle of a nothingness, you could describe it. It helps making your story more memorable and your writing more vivid. 
How much should you describe? Again, there isn’t a rule. It is up to you. You’d not spend a page describing a room that plays no interesting or important part in the story, would you? If you do it, you’ll make the readers believe it is more important than it actually is, or bore them out. During the first draft you can spend as much as you want pointing out details of the environment and the space but know that during revision, they could and will get cut out if they’re not relevant whatsoever.
The relationship between world-building and the settings: they’re directly related. If you’re creating a new world you’ll have to work through a lot of describing, and that has to do with—you guessed it—the environment. The space, time and temperature. All of these have to do with the world you’re creating if they’re different from what we normally see or if they’re not.
Let’s say it, describing things is oftentimes quite fun and a great way to practice vocabulary and your use of metaphors and similes to show and not tell in a powerful way. 
The following links provide great advice on both settings and world building and I recommend checking them out.
Common Setting Failures
The Senses and World Building
Fantasy World Building Questions
Tips on Revealing Setting
The Rules of Quick and Dirty World Building
The Description Pyramid
Physical Descriptions Put Readers Into Place
Location, Location, Location
Creating Your Own World
Imagery
-Alex

referenceforwriters:

S E T T I N G (Image source)

The setting consists of these elements, which you ought to describe through the course of the story. It is up to you, however, to decide how necessary it is to do so and why.

  • Which element is more important right now? Why? The most common answer is because it plays an impact on the story, so you should give it a higher priority in that particular moment. Overall we should get a feeling however brief of each or most of them.
  • Why are settings important at all? Because the story is happening somewhere. Even if it’s happening in a void or in the middle of a nothingness, you could describe it. It helps making your story more memorable and your writing more vivid. 
  • How much should you describe? Again, there isn’t a rule. It is up to you. You’d not spend a page describing a room that plays no interesting or important part in the story, would you? If you do it, you’ll make the readers believe it is more important than it actually is, or bore them out. During the first draft you can spend as much as you want pointing out details of the environment and the space but know that during revision, they could and will get cut out if they’re not relevant whatsoever.
  • The relationship between world-building and the settings: they’re directly related. If you’re creating a new world you’ll have to work through a lot of describing, and that has to do with—you guessed it—the environment. The space, time and temperature. All of these have to do with the world you’re creating if they’re different from what we normally see or if they’re not.
  • Let’s say it, describing things is oftentimes quite fun and a great way to practice vocabulary and your use of metaphors and similes to show and not tell in a powerful way. 

The following links provide great advice on both settings and world building and I recommend checking them out.

-Alex


Source: referenceforwriters


Source: aquestionofcharacter

elumish:

  1. Dramatic religious shifts in <50 years
  2. Arbitrary returns to Roman/Greek systems
  3. Worlds with one continent
  4. Arbitrary homophobia
  5. Heterogeneous technologically-limited rural areas
  6. Worlds with one religion/method of worship
  7. Skin color as the only means of differentiation
  8. Earth-based morality
  9. Arbitrary caste systems
  10. Cities founded in areas with no water
  11. Agriculture in areas with no water
  12. Everyone having the same weather all the time
  13. Technology not being consistent
  14. Swift changes in political ideology
  15. Every state having the same political structure
  16. Lack of trade
  17. Everyone having Western Abrahamic views on gender/sexuality
  18. American and European animals living in the same place
  19. Lack of biodiversity
  20. Death rites being the same everywhere
  21. Burying people in marshy swampland prone to flooding
  22. Access to the same food everywhere
  23. Agriculture that doesn’t match the climate
  24. Foods that exist because of genetic modification existing in nature (i.e. bananas)
  25. Everything being based in middle ages -> Victorian-era Western culture/technology level
  26. Magic having no effect on technological development
  27. Religions irrelevant to the land they are based in
  28. Indigenous skin-color unrelated to climate
  29. Climate unrelated to geographic location
  30. Homogenous port/trade cities
  31. Access to technology by lower class
  32. States with no human rights laws
  33. Immediate rebuilding after wars
  34. Long periods of time with absolute peace
  35. Lack of international organizations
  36. Western-based organizational structures
  37. Western-based human rights ideas
  38. Capitalism
  39. Clean streets with no sewage system
  40. Clean water with no sewage system
  41. Science that makes no sense
  42. Governments hated by everybody
  43. Governments with one political party/ideology
  44. Lack of communication between states
  45. Lack of immigration

romantic0utlaw:

think about these things when you’re making a fictional place; even a developed city has its roots in how easy it was to settle in the first place!


Source: romantic0utlaw

writing-questions-answered:


leaveyourheartopen asked: "Hello again! Um, I do have a question that has been bothering me. I am great with description, it's the best thing about my writing style I think, but I do not know how to describe buildings. I want more than a simple description. I want a two paragraph or page long piece of writing dedicated to the scenery, but I lack the knowledge and vocabulary to do so. Therefore, my question to you is: Where or how do I find examples of how to write like that?"

fuckyeahcharacterdevelopment:

Not so long ago I wrote a little article thing to help people think about how to describe buildings. It’s not a magical formula or anything like that, but the idea was to present some questions/concepts that might get you thinking about different ways to describe buildings.

In general, writing super long paragraphs about the scenery isn’t the best way to show setting. I’m not saying it’s impossible to do or that you absolutely shouldn’t do it, but I would suggest trying to balance your description with dialogue segments or little bits of telling to avoid information dumps.

However, expanding your vocabulary and practising your craft by writing the scenes you want to write is never a bad thing and I don’t want to discourage you from trying out this idea you have.

Building Anatomy

When you’re describing something, it helps if you understand what each part is called. Description can get very dull, very quickly if you’re re-using the same words. The main parts of a building that come straight to mind are: the bricks, the windows and the door but there are so many other components and details.

Here are some references that could be a good starting point to get you thinking about those things:

  1. House Anatomy
  2. Anatomy of a House
  3. Building Terms
  4. Construction Glossary
  5. Words That Describe Buildings or Rooms or Parts of Buildings

You don’t need to know all of these words and terms, but they can be good reference points to avoid description disasters.

Focusing on Detail

9/10 people reading your story will already know what a standard house or high-rise looks like, so you need to show them what is so important about the structure you’re describing, i.e. what makes it different.

The best place to get this kind of inspiration from is the world around you! Whether it’s looking at the different houses/structures in your own town, or using the internet to get some interesting photographs, you’ll soon see what kind of details you need to focus on when describing your own buildings to give your description more of an edge.

In the article I mentioned at the beginning, I put a whole bunch of links to inspiration blogs at the very bottom which you’re welcome to skip to and check out. Anyway this answer is starting to look like a shameless, flashing neon arrow at one of my dumb articles and that’s really not my intention, I’m just way too lazy to repeat myself.

Further reading:

I hope this helps. Happy writing…!

- enlee


storyninja:

Interesting read for any budding sci-fi writers out there.


If you ever need information or first-hand experiences for writing about countries you’ve never been to before, World Wide Writing might be just what you’re looking for. Find people from those countries willing to share their knowledge about their culture and language, and offer yourself as help too!


by Weekday Blues

What is cultural appropriation?

It’s difficult to talk about appropriation because it is deeply tied to racial representation in fiction, and I can’t speak of one without the other. A common definition is: the adoption of some specific elements of one culture by a different cultural group. The culture that borrows and appropriates is usually dominant over the one that is borrowed from. Examples include high-class Europeans having foreign art objects, and people who get hanzi tattoos with grammar mistakes or just because they “look cool”. But it extends to far more than that. It is the attitude that suggests non-white cultures are to be shared, delighted in, and open to all to use as influences or create characters. It is blackface, yellowface, redface, brownface, that rob minorities of the right to express their stories, the way they want, and reduces them to a footnote. It is what leads certain writers to say “but everyone has the right to a story!”

Read More →


Source: weekdayblues.wordpress.com